Hi,
I'm curious as to what others do wrt tonemapping when it comes to authoring materials for PBR in programs like SP. To my understanding the default tonemapping in SP is a simple sRGB, but it supports using a 3D LUT.
Many modern engines use a different tonemapping to get a more filmic(?) look, like the ACES in Unreal, so does your team use the default sRGB when authoring or does it use a custom LUT?
Henning
↧
